theatre

Here's the second part of Justin Haigh adventure at Toronto’s Next Stage Festival. The Festival finishes this weekend.

Gas
This intense play from writer/director Jason Maghanoy presents a familiar yet contemporary depiction of modern warfare (in this case using Iraq as his creative sandbox) by incorporating age-old ideas, such as the hyper-masculine soldier, as well as relatively new ones, such as the importance of the unfiltered recorded image (an idea that also played an important role in Maghanoy’s last play, Dust). Gas is splintered into two narratives; the first of a unit whose chain of command is thrown...

Gas - part of this year's next stage festival

Pi Theatre and Rumble Production’s joint presentation of after the quake is a stunning piece of theatre.

Manami Hara, Leina Dueck and Testsuro Shigematsu are seen after the quake, photograph by Ken Bryant

I was very fortunate to attend the opening night of Touchtone Theatre’s world premiere Demon Voice.

Stephanie Belding and Kevin K James are wrestling with each other and their demons; photo by Tim Matheson

The Laramie Project creatd by Moises Kaufman and the Tectonic Theater Project, presented by Theatre at UBC at the Fredric Wood Theatre, is in need of a good editor.

Tich Wilson in The Laramie Project; Photo Credit: Tim Matheson

One Little Goat Theatre Company continues its tradition of contemporary poetic theatre in its most recent project Talking Masks.

Talking Masks (Oedipussy); photo by: Sai Sivanesan

Genus Theatre’s production of The Physicists is a satirical intrigue set in the common room of an opulent insane asylum called La Cerisiers. 

Kathleen Pollard and Uriah Field in Genus Theatre's production of The Physicists

With Halloween just behind us, one can compliment Ghostlight Projects for their savvy timing. With sexy costumes and hedonism still lingering in the memories of many of Toronto’s young adults (and die-hard middle agers) the company’s double bill of cult glam classics should help extend the spirit of the holiday.

Seth Drabinsky, left, features in Hedwig and the Angry Inch and Jamie Robinson is Debbie in Debbie Does Dallas the Musical

In his program notes, translator Errol Durbach describes past productions of Henrik Ibsen’s The Master Builder he experienced as an audience member.

Will you love me forever? The Master Builder, photo credit: Tim Matheson

When I was nine, I was limited to three very enthusiastic topics of conversation: Helen Keller, Annie Sullivan, and whales. The latter was inspired by actual encounters (my Dad was a commercial fisherman), but my interest, um, make that obsession, with the deaf and blind Helen Keller and her teacher Annie Sullivan came from regular readings of their Scholastics biographies (both by Margaret Davidson).

The Miracle Worker

Pages