Reviews

  • Facebook, Plenty of Fish, Tinder, texting and bus schedules. These are just a few of the reasons why Sophies phone rarely leaves her hand. Everything she has to tell us happened because of that phone or, more accurately, the apps accessed via that phone. According to Sophie, her situation is all because of social media. Told from the perspective of a twenty something "The Situation...

  • There are some lovely features to this production – a clean original music track, gentle yet energetic movement about the stage by creator/performer Yanomi, and requests for help from audience members always preceded with the question “Are you kind”? (Everyone in our audience answered “Yes”.) There is a beautifully crafted leather purse that Yanomi sports, and a lovely leather suitcase home for the kitten/sparrow-like character “Kissaropassaro”, or whatever we hope the name of this sweet Caliban-like creature to be. And it’s tempting, too, to look for historical and cultural precedents to this international...

  • After watching “Brain” a one-man show - written and performed by Brendan McCleod, I felt like I’d gotten a tangible glimpse into the mind of someone with OCD. It’s an intense play that is touching, funny, and deeply vulnerable.

    Author of the one person show “The Big Oops”, the novel "The Convictions of Leonard McKinley” and the monologue “The Fruit Machine”, McCleod is known as a writer and spoken word artist.  His play "Brain" is a well constructed and compelling story that  takes remarkable emotional risks and goes deep.

  • Camel Camel is a superb hour of enthusiastic, hilarious, existential, shape shifting magic.

    Janessa Johnsrude and Meghan Frank who form the dynamic duo "Glitter Gizzard" created the show in consultation with Mooky Cornish (Cirque du Soleil). It’s physical theatre meets vaudevillian sister acts. Which turns out to be a great combo.

    I really can’t say enough good things about this show. It’s exactly the kind of the theatre I love to watch at the Fringe because it’s energized, fun, fully committed, creative and experimental. It’s the kind of thing you don’t get to see anywhere else.

  • Confabulist Keith Brown warmly and gently engages his audience in very non-threatening ways to help him test his sleights of hand and challenge his learnable skills of memory. Even when his tricks look like they’re going to fail, they don’t. An audience member’s cell phone that he’d magically conjured to ring didn’t, to the embarrassment of the Rogers’ subscriber. But then it did ring—ten minutes after the trick was over. Or was that part of the trick?

    I’ve read Steven Galloway’s The Confabulist...

  • Uncouth. A two-syllable word. Kind of catches in your mouth as you utter it, a sensation emphasized in the show’s title by an extra capital letter: UnCouth. There’s that hard ‘c’ in the back of your throat, followed by an elongated vowel sound slowly traversing the length of your mouth to the tip of your tongue, finally ending when your tongue touches your teeth in that closing ‘t-h.’ The sensation of pronouncing the title is mirrored in the phenomenon of seeing this show; it grasps your attention and sticks with you long after you’ve left the venue. Granted, I have...

  • I have to admit, I was expecting a fair bit of cheesiness, but I was resolved to watch The Vaudevillian politely. I figured there would be kids and slapstick and corny jokes and maybe I’d crack a smile or two. Well, smack me upside the head with a rubber chicken! This show was delightful and not at all like the 4 year old’s birthday party I’d hoped it wouldn’t be.

    For those who aren’t in the know, Vaudeville is a form of variety...

  • Every 29 years or so Saturn travels around the sun and returns to the same place in the sky that it was at the moment of your birth. The first Saturn Return is said to make the transition from youth to adulthood. The second return brings maturity to our lives. The third return is the transition to the wisdom of the golden years.

    Nine women enter the stage one at a time and each shares her personal tale of transition, change, challenge and growth at the...

  • Roy Horowitz has been touring with this show for nearly 20 years. His credentials seem golden and his commitment to theatre is unquestionable.

    A classic Fringe show, it's a one-person piece with a limited set recounting some of the “bizarre” situations this family admits they are used to. It's a portrayal of a young boy who's been encouraged to record stories by his writer father who gifts him with a children's tape recorder.  The brightly coloured plastic “My First Sony” is replaced later...

  • This Will Sell Out. Get Your Tickets NOW.

    I encouraged three friends to join me for Nashville Hurricane on its opening show on Sunday night. I'd seen Six Guitars with Chase Padgett and felt I'd hit the jackpot when it showed up on my list of shows to review for Plank Magazine.

    We applauded loudly and enthusiastically after the first guitar song, and he had us in the palm of his...

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