Reviews

  • I’m sitting next to the Maritime Market on Granville Island wondering how on earth I’m going to review the show I just saw. As I sit on the warm wooden bench getting bitten by tiny mosquitoes, a parade of people drift by - there’s the perfect looking couple with matching blonde hair and stylish athletic wear, the upper middle class quartet discussing their latest trip to Tuscany, the group of red-faced and more than slightly tipsy revellers wearing backpacks and flip flops, and the indie hipster fringe volunteers drinking illicit beers. The difference between all of these nonchalant and self-assured...

  • Sam S Mullins’ solo performance Grandma’s Dead is fairly typical Fringe fare: a dramedy solo play where a single actor plays a variety of characters. Unfortunately, this particular example falls a bit short of the form’s potential. The concept is an interesting one. Sam gets a call from his brother Chad informing him that their Grandmother has died, and that they have to drive from Vancouver to middle-of-nowhere Saskatchewan so that someone from the family can see her burial. Presumably, as the two brothers make their way across the country, they will rediscover their lost relationship and get caught up...

  • Eurydice, while not a searing production, was a rare treat. The play by lauded American playwright, Sarah Ruhl, is one part nostalgic fable, one part modern comedy, with some gentle nods to ancient Greek theatre.  There’s a touch of the absurd in the script - stones who speak in chorus, a devil who rides a tricycle, an underworld hotel room made out of string.  The language is poetic yet clean, and there’s something about the crisp dialogue, a minimalist back and forth, that takes the scenes into a heightened magical realm while still feeling utterly modern.

  • Technology intrudes, separates, distracts, annoys and replaces the need for human connection. Technology supports new endeavours, makes the impossible possible, and challenges our understanding of what stories are and how we tell them. 

    DareU! is a collaboration between mentoring organization The Only Animal and a team of young aspiring story tellers to bring new dimensions to a theme, and portray these facets within a fixed physical space but changing dimensionality of time. Seven stories are vaguely blended together the way that the tide changes the character of the river mouth. We are salmon, swimming between salt and fresh.

  • I wanted to like this show. I was looking forward to it actually. The eclectic and wacky write-up in the Fringe Guide promised a “romantic comedy circus” and “rock ‘n’ roll”. I was seduced by the mention of The Edinburgh Fringe, Glastonbury, and the effusive quotes at the bottom. It sounded like great Fringe fare to me, and I even enrolled a friend of mine to come along, selling him on the write-up as well.

  • The journey of life has its ups and downs, with each stage revealing new insights as challenges are met, strengths revealed, and skills developed. Esther de Monteflores brings an amazing gift for ignoring gravity while subtly delivering a nuanced performance in four dimensions. 

    Narratively played out while Monteflores emotes the convolutions of each life stage, the recorded cast does a sterling job of moving the audience through the ages. Mixing tone, gender, age and range, the five narrators (Joanna Gaskell, Harrison Houde, Andrew Senay, Christine Bortolin and Sue Sparlin) smoothly guide the journey of life. 

    Aaron Read has created a unique...

  • Maybe I needed that afternoon coffee after all. I found it challenging to remain engaged with A Weekend Near Madison. Was it just me, or was this play uncomfortably long? While there was no shortage of talent on the stage, and the script offered up some thought provoking and moving moments, I found the performance, as a whole, rather lacklustre. 

    For the first fifteen minutes, I felt like I was watching a rehearsal. (Okay, it was a first performance.) The actors looked vaguely uncomfortable, delivering their lines without a great deal of commitment, and while the play never really transported...

  • Jam-packed with funny characterizations, party music and entertaining videos, Buy Me Dinner First is an all-around good time. 

    This sketch comedy show performed by a tight troupe of actors is uproariously funny and fun. If you’re looking to laugh, search no further. The actors work well together and really know how to connect to the audience to take us along with them. Actor/creator/writer Dylan Archambault, in particular, has a huge and captivating presence and knows how to bring it. The house was packed when I went, and the audience was in stitches throughout the show. 

    Buy Me Dinner First is...

  • LOCO + HERO + JOE tells the story of local (local = LOCO > LOCOOOOOOOL > LOCAAALLLL, see?) hero Joe Fortes.

    The production tells the story with three characters. Surprisingly not Loco, Hero, and Joe, as I had surmised. (When I first heard the title I thought the show would be a comedy set in the Old West.) The cast was comprised of a young woman with an interest in history (played by Jina Anika) who took notes while talking to a lady who was a little girl in Joe's time (played by Sue Sparlin) and Joe himself (played...

  •    A collaborative project by Blackjacq Productions and Clockwork Theatre, The Green Room Theatre Project selects nine youth who get the chance to work with professional artists learning the entire process of creating a theatrical production. The Green Room Presents… is a devised play which is the culmination and final showcase of the program.  Created and performed by amateur youth artists, the show is far from professional quality theatre, but it has its share of shining moments. 

        The theme of the show is growing up, and it opens with a vocal montage of moments throughout a single life,...

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