Reviews In Toronto

Toronto is home to Canada's most active English language theatre scene, considered to be the third largest centre for English language theatre in the world, behind New York and London. It also enjoys a lively performing arts scene that ranges from small, independent productions to the hosting of large, international acts.

Intrepid PLANK reviewer Justin Haigh takes on Toronto’s Next Stage Festival which continues this weekend. Here’s Justin’s take on three of the shows featured in this year's Festival.

The Making of St Jerome is part of this year's Next Stage Festival

Toronto’s fifth annual Sketch Comedy Festival has (long) come and gone, leaving behind a wake of satisfied audiences and enthused sketch artists.

This is not a picture of Justin or Ryan

One would be forgiven for not having heard of Canadore College (based in North Bay, Ontario), nor their graduate theatre company, Rep 21.

The Lieutenant of Inishmore

Vladimir John Cubrt takes a bold risk with his creation, The Weeping Salsa produced by Zocalo Toronto.

The Weeping Salsa

Displacement, produced by HCA Dance, faces its audience with stark, painful, unfixable realities.

Displacement

One Little Goat Theatre Company continues its tradition of contemporary poetic theatre in its most recent project Talking Masks.

Talking Masks (Oedipussy); photo by: Sai Sivanesan

Your PLANK Panel taking on Steppenwolf's production of August: Osage County are Ashleigh Dalton and Justin Haigh

Laurence Lau and Emily Kinney show the dysfunction in Steppenwolf's August: Osage County

With Halloween just behind us, one can compliment Ghostlight Projects for their savvy timing. With sexy costumes and hedonism still lingering in the memories of many of Toronto’s young adults (and die-hard middle agers) the company’s double bill of cult glam classics should help extend the spirit of the holiday.

Seth Drabinsky, left, features in Hedwig and the Angry Inch and Jamie Robinson is Debbie in Debbie Does Dallas the Musical

Summer 2009 may seem sometime ago (especially by internet standards) but really was it so far back? Justin Haigh submitted his final round-up of mini-reviews for Toronto's SummerWorks Festival right in the middle of the Victoria and Vancouver Fringe Festival madness. We had to table the reviews - and Justin's take on the overall Festival experience - until now, when we've had a bit of a chance to catch our breath.

Feeling melancholy that summer play is over or the Melancholy Play from last summer.

They say there's strength in numbers. This is particularly true when it comes to sketch comedy where a larger cast offers several advantages: the ability to construct complex scenes with a multitude of characters, a more diverse collective mind to bolster the creative process, and the ability to cast roles according to suitability rather than sheer necessity.

Accidental Company: two guys who share everything

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