Theatre

For me, the success of April 14, 1912 hangs on two death scenes. One is of a man, the 1st Marconi (telegraph) Officer on board the Titanic (Matthew Romantini), drowning in the sea. Both legs and one hand are on the bare stage floor, but the rest of his body is convincingly in an environment hostile to human life. And he surrenders to it at last.

April 14, 1912; photo credit: Lindsay Anne Black

All the previous Magnetic North Festivals have featured a production showcasing the students and emerging artists of the host city. This year, it’s the turn of Vancouver’s The Chop Theatre in a co-production with Studio 58, Langara’s well-regarded theatre program. The Chop are probably the coolest of the younger generation of theatre companies in Vancouver.

Townsville, where's sylvia?

Magnetic North: scripts are back in with Vancouver New Play Festival

In keeping with Magnetic North’s mandate as a national festival, this year’s edition of the Vancouver New Play Festival has a distinctly national feel. Moved from its usual May slot to June in order to coincide with Magnetic North, about half the scripts in this year’s play-reading series are from other parts of the country.

The New Play Festival – which opened last night with a playwrights cabaret – has been running for over 30 years and features staged readings of new scripts from a mixture of experienced and emerging playwrights. Not only are the readings a chance to hear new work in development, it is also an opportunity to see some of Vancouver’s top actors working in a more casual setting, scripts in hand. There is a rough joy to the New Play Festival and the chance to “discover” a new work and then act a bit smug when a full production arrives a year or so later (or, better still, become a proselytizer for this exciting play/playwright that no one else has heard of yet).

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Andrew Templeton
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No, not discarded playwrights but Tragic Animals (14 June), photo by Mark van Bakel
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Anyone who is vaguely interested in attending HIVE2 should go, at once, and not read anything about it before hand. Don’t even let anyone tell you what they saw there last night, and that includes this review. The next paragraph is safe, but the one after that should be avoided, along with all that follows.

Theatre SKAM at HIVE2

In a Montreal-style apartment, a fridge door sunk inside a cityscape wall of tin cans separates reality from fiction. It is through this divider that the audience enters the theatre.

Loft, good clean fun

HIVE at Magnetic North: It’s a Party! And some of you are invited…

The Mother of All Theatre Parties is back. For those of you who missed the carnival known as Hive last time around, the Magnetic North Theatre Festival is giving you another chance to get shit-faced with Vancouver’s theatre intelligentsia.

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Alex Lazaridis Ferguson
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HIVE2: Felix Cupla found a way in
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Some people – usually men and, in my experience, often English – like to make lists and rank things in order of excellence or bestness. In making their lists of the Greatest Movies Ever Made, they usually rank Godfather II ahead of the original Godfather for, of course, it is “the sequel that was better than the original”.

HIVE, feel the love

Go see this show!

Why?

Loft, circus, dance, pyjamas

HIVE2 takes our audience selves and blurs the possibilities of what we're invited to be.

HIVE2: the crowds gather

Well, I was feeling good about my review assignment last night. Andy Jones’ show An Evening with Uncle Val was up at Presentation House promising a dose of Newfoundland comedy.

Andy Jones in An Evening with Uncle Val

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