Victoria

Even with the particular staging of Grow Your Own Dinosaur that I took in (starting at the ripe hour of 11 pm on a Sunday night), there was a sizable audience and an energetic cast.

Grow your own dinosaur, please note this woman is a professional do not attempt in your own backyard

When Wes Borg moved to Victoria last fall he showed up with his laptop, a guitar, half a pack of smokes and a duffel bag of dirty clothes. Now, almost a year later...those smokes are long gone. And he's got a hit Fringe Play on his hands.

Ha Ha

There are plays that have a real emotional impact on its audience - and when you see one, it stays with you for quite some time.  The Measure of Love is one of these plays and it will most definitely stick with me for a very long time.

Measure of Love moves cynical Plank reviewer

Old Growth is a new thought provoking production composed and performed by Alex Eddington. It now features Allison Williams who replaces Aura Giles.

Hug that tree!

A life in customer service is explored through the eyes of a barista in SeriousBucks, written by Caroyn Birch and performed by Kelly Hudson.

Seriousbucks: can't we just say, small, medium and large?

Fringe shows are typically driven by a small number of people, with fairly small casts and fairly light technical demands. Some even attempt to make some form of statement. Lysistrata’s War has a cast of twenty-five and kept the venue technician very busy. As for the statement it tries to make, it’s basically a political allegory gone wrong.

Lysistrata's War. Who cares if they can sing, Mike? Check this out, they're against war

Amid the "Solo Character Monologue", the "Seri-comic Monologue", and the "Solo Comedic Monologue" (not to mention the "Solo Comedy Drama" and the "Solo Fiction") it's refreshing to see a Fringe show listed simply as “Standup Comedy" - but that's Nile Séguin for you, cutting through the BS and going right for the funny bone - via the jugular.

Nile Seguin is bigger in real life, anyone with evidence Plank will post the picture here

I’ll get this out of the way first. I’m a big musical theatre nut. When I showed up at Wood Hall to catch the Victoria Fringe premiere of Les Ms., I knew I wasn’t alone in that. A good-sized number of fringe-goers were there to see this send-up of the Broadway/West End classic, performed by Nelson-based performers Robyn Lamb and Lisel Forst.

Les Ms

Jayson McDonald wowed audiences at last year’s Fringe with his hit Giant Invisible Robot. By the time I decided to go see it, the shows were sold out. This year, I made sure Boat Load was one of the first I checked out. I made a wise choice because he has another hit on his hands.

Boat Load, exciting and new, come aboard we're expecting you.

Does anyone remember indie director Gus Van Sant's 1998, shot-by-shot, remake of Alfred Hitchcock's Psycho?

Swimming to Cambodia: an exercise in why?

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