trauma

Grey with blackened edges. Mark Hughes’ life reads like a modern reboot mashup of Lost Weekend, Reefer Madness, The River’s Edge and Sleepers. Or maybe Breaking Bad with less horrific murder.

Tragedy + Time Served = Comedy was dramaturged by TJ Dawe, whom Hughes considers his mentor in getting this riveting monologue together. From the opening narration that describes the imperfect social construct that is the corrections and criminal justice system, to Hughes’ willingness to work with the reaction of his audience, this is an experience that few will forget or fail to be moved by.

It’s almost hard to...

Mark Hughes

We've all done stupid, stupid things. That’s how learning happens. MacLeod’s cosy set delivered in discrete acts highlighting different lessons learned in self-regulation, thematically reinforced by the musical number, courtesy of the Heartbreakers. I Had Sex Until My Heart Stopped is well-choreographed and tastefully lit.

A monologue starting from a cozy set more than a little reminiscent of Zach Galifianakis's Between Two Ferns, MacLeod relays the possibly questionable decisions made in the throes of youthful exuberance and under the influence of… many, many things. Each vignette has an epithetic moral that brings laughs, knowing head nods and sounds of recognition from the...

Cameron MacLeod

At the very beginning when Jennifer Martin started speaking about her childhood, I couldn’t follow the connection of the scenes. She seemed to be flitting about with different people and topics that were seemingly unconnected, but as all of the pieces of the story began to align, her childish way of speaking started giving off undertones of dread. Long before anything poignant has been said or done, you know it’s coming. As the story unfurls like a black rose, you’re brought to a very dark place full of possibilities of happiness but never shedding the permeating feeling of loneliness....

Rich insights into the power of love, courage and ritual in the face of great trauma are at the heart of this drama. Its message of compassion resonates both with classical tragedies and with our own contemporary anxieties about terrorism. It is timelessly relevant.

The play is set in the Scottish countryside, beside a stream, seven years after the 1988 bombing of Pan Am 103 in which 270 people died. Grieving the loss of their own family members, and suffering from the trauma of witnessing body parts, metal fragments, and bodies still strapped to their seats falling from...

Pig farmers are proud people. They have to be. Their families shoulder burdens both absurd and poignant. Bennett’s family history, in this second chapter of my experience with the walkabout bard, spinning his tales of family chaos to an intimate room in Granville Island’s Waterfront Theatre, nicely blends the traditional yarn-spinning of the Outback poets with multimedia, audience participation and familiarity. My Dad’s Deaths feels like the annual catch-up at a reunion, a chance to relive the stories of past reunions and expand on our knowledge of quirky families and how they got so quirky in the first place....

27 Voices is a work in progress written by S.M. Hunter and directed by Quelemia Sparrow was read by :
Sam Bob, Jennifer Brousseau, Nyla Carpentier, Madeleine McCallum, Joel Montgrand, Melissa Oei, Shyama Priya, Varya Rubin, Donna Soares, Tsawaysia Spakwus. 

There were ten readers, but no identity was given to any of them. I was looking for characters and 27 different distinct voices with their own stories. I heard out some voices speaking about a still birth in the bath tub, kneecaps in pig manure, pimps and pain, yearnings for love, rape, menstruation blood, and labour pain. But there was no...