Theatre

First up, point of disclosure: I am SFU alumni with a soft spot for the School for Contemporary Art and was delighted to be part of the première production at the school’s new theatre in the Woodward’s complex.

The Show Must Go On

Here's the second part of Justin Haigh adventure at Toronto’s Next Stage Festival. The Festival finishes this weekend.

Gas
This intense play from writer/director Jason Maghanoy presents a familiar yet contemporary depiction of modern warfare (in this case using Iraq as his creative sandbox) by incorporating age-old ideas, such as the hyper-masculine soldier, as well as relatively new ones, such as the importance of the unfiltered recorded image (an idea that also played an important role in Maghanoy’s last play, Dust). Gas is splintered into two narratives; the first of a unit whose chain of command is thrown...

Gas - part of this year's next stage festival

Intrepid PLANK reviewer Justin Haigh takes on Toronto’s Next Stage Festival which continues this weekend. Here’s Justin’s take on three of the shows featured in this year's Festival.

The Making of St Jerome is part of this year's Next Stage Festival

There is something quite special in seeing a good Canadian play for the first time; especially when it features two fine Canadian actors at the top of their game.

Canadian theatre tackling the raw issues of the day. Nicola Cavendish in Mrs. Dexter & Her Daily. Photo by David Cooper.

OK, I have been in Debt; many of us have and many of us still are.

The cast of DEBT - the Musical.

Fun and frivolity come to mind. I have to admit, I really enjoy a good musical. I like the new ones, the oldies and the goldies.

Aaron Lau, Cathy Wilmot and David Nicks belt them out in Forbidden Broadway

Edward Albee is one of my heroes. His dialogue is heightened, verging on the poetic, but maintains a ring of naturalistic authenticity to it.

Meg Roe, Craig Erickson, Gabrielle Rose, and Kevin McNulty from Blackbird's production of an Albee classic

A Beautiful View is Daniel McIvor's latest work.

Colleen Wheeler and Diane Brown

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