Toronto

This quirky navel-gazing comedy from writer/director Maya Rabinovitch profiles an ensemble of neurotic characters using the stresses of air travel as a catalyst to extract their inner secrets and demons.

Justin found these guys universally vibrant.

If the title of Sean Cullen’s mini-tour smacks of straight-faced obviousness, it should. Unlike some star-driven one man shows, there is no hokey pretense on which his presentation hangs, only an opening voice over that is as dramatic as it is obtuse: a fair description of most of Cullen’s material.

This is the poster that was on paper for the man who is human who put on a show

On Saturday, June 6, *Skin Divers* & *Carmen* brought sexuality to the Four Seasons stage to rival the hottest bedroom. Skin Divers opens the senses to the body’s power to remember, and the mind continues to process it long after curtain. While this multimedia piece is sophisticated and stimulating, Carmen overwhelms audiences during the second half of the evening. This provocative interpretation of the famed opera is an eruption of passions so powerful they cannot be processed, simply absorbed.

Heather Ogden and Noah Long in Carmen

Sean Cullen - I am a Human Man Preview

"Sean Cullen":http://www.seancullen.com/ used to be one of those Canadian entertainers that people would recognize facially but draw a blank on his name, or conversely, recognize his name but not be able to place him or any of his work. Thankfully that curse of 49th parallel anonymity has been lifted - at least in part - for this unique comedian, musical performer and author.

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Justin Haigh
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Sean Cullen is a human
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Ravenous applause greeted the opening performance of *Giselle* last night and the final production for prima ballerina Chan Hon Goh. Leading the "National Ballet of Canada":http://www.national.ballet.ca/, which has been her home for 20 years, Goh was a revelation in the majestic Four Seasons auditorium. Her dancing was sublime, as it has been throughout her dazzling career. But her dramatic power continues to evolve and engulf the stage.

Goh as Giselle

In a world primed for cynicism it would be easy to dismiss a story like *Tuesdays with Morrie* as a schmaltzy softball for bleeding hearts in the same vein as the sometimes over-the-top “Chicken Soup for the Soul” series of books. However such a dismissal would be missing the true merits of the work and an opportunity to be truly moved.

Rick Roberts and Hal Linden in Tuesdays with Morrie

In a world preoccupied with flu pandemics, economic crises and a brand spanking new era of American politics, it’s no surprise that some of the slower burning challenges facing society have been pushed to back of our consciences. AIDS in the western world is one such challenge.

Gavin Crawford as Prodon and David Yee as Vidor in I Have AIDS. Photo by Mircea Popescu

Theatre tackling the issues of the day is often referred to as ‘timely’, whereas theatre touching on themes as old and persistent as humanity itself is dubbed ‘timeless’. In those instances when the two overlap there is no single term to encapsulate the idea, but suffice to say it is a rich experience and Toronto’s "Soulpepper Theatre":http://www.soulpepper.ca/ has brought just such an experience to the stage with their production of David Mamet’s pointed signature work, *Glengarry Glen Ross*.

Jordan Pettle and Eric Peterson wonder who the fuck they're looking at

A young cast gives new life to Giacomo Puccini’s La Boheme. This production by The Canadian Opera Company charmed audiences if not critics at the opening April 17 at the Four Seasons Centre for the Performing Arts.

Frédérique Vézina as Mimì and David Pomeroy as Rodolfo La Bohème; photo: Michael Cooper

David Mamet is often considered the godfather of machismo, his works populated by the manliest men to ever grace stage and screen. The ‘Mamet Man’ is a chest-thumping, fast-talking, swaggering force of nature, and this is never more evident than in his masterpiece *Glengarry Glen Ross*, currently being staged by Toronto’s "Soulpepper Theatre Company":http://www.soulpepper.ca/. In Mamet’s world you’re either predator or prey, and it’s thrilling to watch his characters battle it out to decide which category they fall into.

Albert Schultz and Eric Petersen are macho men

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