2008

Maybe it should be called the Sixth Sense effect. For the third review in a row, I feel obligated to issue a spoiler warning for something that happens in the final reel – er last scene – that impacts on the whole work. Fortunately, there’s no bloodshed involved in the reveal that is meant to unlock meaning in this three-hander.

Ablaze: Rosa Laborde and Jayne Collins play sisters with bite

Does the modern world disappoint you at times? Especially when a consumerist society suggests that bought beauty is equal to integrity? Or when liberalism (a big hug to JS Mill) has been subverted by infantilism?

Vaughn Jones & Leslie Brownlee as Eros & Psyche - the perfect couple. Photo: Pink Monkey

The Play:
Flux, an in-concert reading of an operatic musical about
Scottish history and war by Margaret Sweatman. The play is almost as
confusing as the panel you are about to read.

Flux, just another confusing kilt-wearing "opera"

Through his Gracing the Stage newsletter, Steve Fisher is an institution on the Toronto performing arts scene. We’re thrilled to provide Steve’s mini-reviews on this year’s SummerWorks Festival.

(never underestimate) The Power; Photo: istoica

For the second review in a row I have to issue a spoiler warning (ironically, for similar reasons). So, if you’re seeing Crush stop reading, immediately.

Crush, dangerous triangle

How exciting to leave a performance feeling energized and smitten, only to become embroiled in a long and animated show-inspired debate in the parking lot. Standing over the gleaming, rain spattered bulk of my mother’s car, watching for the meter maid, I couldn’t resist picking my (probably smarter) friend’s brain.

Medina Hahn contemplates whether Daniel Arnold is a dream man or a creep, photo: Stephanie Hall

Through his Gracing the Stage newsletter, Steve Fisher is an institution on the Toronto performing arts scene. We’re thrilled to provide Steve’s mini-reviews on this year’s SummerWorks Festival.

Obligatory bikini photo, Sex and the Saudi.

We don’t usually have spoiler warnings here at Plank but I feel obliged to provide one with this review because my problem with Raising Luke is the subject of a big reveal towards the end of the play. So, if you like to be surprised and plan to see this play, come back later.

Raising Luke, take Plank's advice, Claire and dump the MoFo; photo: Keith Barker

*The Play:* Marla’s Party, an offbeat domestic comedy by Darrah Teitel.

*The Panel:*
*Alison Broverman* is a Toronto-based playwright and arts reporter.
*Andrew Templeton* is a Vancouver-based playwright and accidental reviewer

Marla's Party, nothing like a family reunion to make you realize you're nuts!

Through his Gracing the Stage newsletter, Steve Fisher is an institution on the Toronto performing arts scene. We’re thrilled to provide Steve’s mini-reviews on this year’s SummerWorks Festival.

The Girl with no Hands, photo: Christophe Jivraj

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