Vancouver

Bravo.  Touchstone Theatre's world premiere of Influence demonstrates phenomenal ensemble work.  All elements of the production - writing, acting, direction, and design - come together to create a show that is expansive, witty, intelligent, and moving.

Influence, Daniel Arnold, Colleen Wheeler, photo: David Cooper

Civic Election Countdown #2: creativity needs housing.

This is part two of Plank’s civic election series.

What’s a “Creative City”? Civic leaders in Vancouver and around the world have taken up the cry. Creativity, they say, now drives the urban economy. Not factory work, not farming, not logging. So you’ve got to have a city that’s friendly to creative types. You’ve got to have a robust “Creative Class.” Who exactly are the new agents of prosperity? Are you one of them?

A few years ago Richard Florida, an urban development theorist, put forward the idea that a city requires a concentration of high-tech workers, artists, musicians and lesbians and gays (among other professional and sexual-orientation categories) in order to achieve urban renewal and economic growth. These people are the innovators, the idea people, the content providers; they spawn new micro and macro industries and they make cities attractive places to live.

Florida’s theory, while spawning a best selling book, quickly ran afoul of other theorists. Ann Markusen, a heavyweight American scholar and consultant, argues that Florida’s “creative class” is an overburdened category: it includes, for example, claims adjusters, food-service managers, and tax collectors (routine occupations), but leaves out home-care workers, repair technicians, and petty criminals (‘occupations’ that require a high degree of inventiveness).

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Alex Lazaridis Ferguson
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Vancouver: city of culture
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The Context
Hear It NOW! 2008 delivered my wish-fulfillment cocktail on time.

NOW Orechestra

When I was in high school, my English teacher delighted in torturing our class with impossible moral choices. His favourite scenarios involved cages suspended over vats of acid.

Kerry van der Griend in MOURNING DOVE; photo by Damon Calderwood

Your Plank Panel going to battle:
Rachel Scott, writer and general troublemaker.  Her nose is straight, small with a flare, and tilted slightly to the left.
Michael John Unger, writer and performer with the sketch comedy troupe The Skinny. His nose would probably be described as medium to large, and has a tendency to bleed a lot.

Don't mention the nose! Carmen Aquirre looks on at David Mackay and Melissa Poll in Cyrano; photo: Emily Cooper

David Hare’s Stuff Happens is the dense chronicle of America’s post 9-11 decision to invade Iraq.  Running concurrent with the US elections, this Vancouver Firehall Arts Centre production offers a well-timed and potent examination of the American identity during Bush’s hawkish and flawed presidency. Stuff Happens is a three-hour beast of a play that includes testimony (some verbatim, some imagined) from the major political players of this era.  

Stuff Happens, photo: David Cooper|

Recipe for a Dancer

With the arrival of shows like So You Think You Can Dance (important enough to have its own acronym — SYTYCD) and Dancing with the Stars, to name the biggies, dance has become the new American Dream. Fame, fortune, partners with pecs — they can be yours for the taking. All you have to do is become a dancer who is good (and cute) enough to fox trot, hip hop, jazzercise and barrel roll your way into the dazed eyes of loud-mouthed judges and screaming fans who have the power to dial you to stardom. I mean, how hard can that be?

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Chick Snipper
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The Tomorrow Collective in action, photo: Chris Randle
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Civic Election Countdown: does Vancouver want artists?

This is the first part in a short series on artists, the city, and the civic election.

Vancouver’s season at the polls didn’t end with the Federal Conservatives’ minority victory. A civic election is almost upon us. Both mayoral candidates, Gregor Robertson (Vision) and Peter Ladner (NPA), have put affordable housing near the top of their agendas. The Vision platform actually targets artists as special candidates for some of that housing. At a town hall meeting in August, Robertson made it clear that he understands the central role artists play in creating a vibrant urban landscape. He knows that if Vancouver is ever to become the “Creative City” he hopes for, he needs to keep artists from migrating elsewhere. But how will he loosen the stranglehold real estate developers have on the city? How will he stop the upward climb of rents, property taxes and mortgages? Affordable housing is the key. But if Vancouver’s recent past, or similar gentrification trends in other North American cities are anything to go by, Robertson has a hell of a challenge ahead of him.

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Alex Lazaridis Ferguson
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Possible alternative housing for artists?
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Your Plank Panel who are under the gun:
Michael John Unger is a Vancouver based writer, performer and show off who can be seen with the sketch comedy troupe The Skinny.
Ashleigh Dalton is a Vancouver-based writer and community development worker who is herself a bit of a show off.

Show off.

Monster Theatre's Jesus Christ: The Lost Years is an energetically performed hour of good, clean fun. 

Jesus Christ: never goes out of fashion|

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