When I write a review for the Fringe, I like to go in cold. I try to know as little as possible about the work I am about to see. I like to be surprised when the actor or actors walk on stage (or run) and start to tell me the story. I love that moment when you don't know what it about to happen and, as the performance unfolds, you get a sense that you have missed out on something. That happened to me when the Pierre Teilhard de Chardin Project started.
