Few would dispute the fact that Robert Lepage is Canada’s most celebrated stage director, and a global brand unto himself. Lepage is such a powerhouse that it is quite surprising to see him take on a far less dominant and much more vulnerable role in the multidisciplinary spectacle that is Eonnagata. This is not to say that Lepage is unaccustomed to a collaborative creative process, in fact he is the first to admit that his company, Ex Machina, is littered with artistic minds in whose instincts he trusts. Eonnagata is nevertheless a departure for Lepage - although given the...