In the post-performance artist talk-back after Kokoro Dance's  "Love, Sex, and Death" performance, choreographer Barbara Bourget spoke of fusing butoh and flamenco.  This idea is visible in the movements of the dancers who combined butoh-style articulated, slow-movements with flexed feet and rounded arms, with the fierce foot-stamping and proud motions of flamenco.  They were accompanied by a sound track of luminous, emotional trumpet, sparse piano, intricate guitar, and rich lines of melody carried by the cello.