Eurydice, while not a searing production, was a rare treat. The play by lauded American playwright, Sarah Ruhl, is one part nostalgic fable, one part modern comedy, with some gentle nods to ancient Greek theatre.  There’s a touch of the absurd in the script - stones who speak in chorus, a devil who rides a tricycle, an underworld hotel room made out of string.  The language is poetic yet clean, and there’s something about the crisp dialogue, a minimalist back and forth, that takes the scenes into a heightened magical realm while still feeling utterly modern.