comedy

Actors acting about being actors risks getting a little dry, but it beats writers writing about being writers. Lara (Lara Deglan) is sharp and funny and full of charm. She also has a lovely singing voice which she makes great use of. Peter (Peter Swayles) is also charming. He's decidedly English, and most of his humour is oddly anachronistic, with references to Princess Diana and the annex of Poland. Still, he generally carries it off, and his role as the love interest affords him a few adorable moments.

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Mike Delamont is one of Canada’s fastest rising comics due not in small part to his creation of the God is a Scottish Drag Queen trilogy. This year Mike brings God is a Scottish Drag Queen II to the Vancouver Fringe Festival & God is a Scottish Drag Queen III to the Fringe’s Pick Plus on Sept. 26.

God (Delamont) appears to his audience with a short black bob, wearing sensible shoes and a mauve power suit. God brings it to the stage with all...

The Positive of Power Thinking is a 70-minute play written by Wallace Fessler and Joshua Fisher that runs at Performance Works. It stars Lance Banks who is an egotistic, smarmy motivational speaker, here to get your life on track with the help of his assistant Dave. Together, they demonstrate the power of the LanceLifeTotal Life System program and how it can make you more money, more powerful, more material possessions and more dependent on their multi-step program to success.

The format and idea behind...

It was the dawn of time…” So begins Adam Patemans thoroughly delightful Alone in the Universe.  With a series of increasingly neurotic mute living tableux, Pateman takes us through the history of humankind, from the primordial ooze, to newborn babies, to ...

    Lee MacDougall’s comedy caper High Life, presented at the Cultch as part of the Fringe Dramatic Works Series is the kind of play that would make Martin McDonagh (In Bruges) or Tracy Letts (Killer Joe) very proud with its witty portrayal of scheming criminals. Unfortunately, this production doesn’t do justice to the excellent script. The writing has a very particular style, and it demands a certain vocal agility to capture the repartee. In the opening scene Dave Evenson and Marcel Perro, as longtime partners-in-crime Dick and Bug, speak the dialogue at a jarringly uneven pace, not quite making...

If you’ve ever seen any truly bad improv or sketch comedy, then this is a show for you. 

Creator/performers Devin Mackenzie and Tom Hill clearly know their way around a comedy sketch and have seen more than their share of comedy disasters. Perhaps because of the expectations that come with a show being at the Improv Centre, from the moment you come in there is a boisterous, excited energy running through the audience, which is a great energy to be surrounded by. The show opens with Mackenzie and Hill sitting in the audience, impatiently waiting for the show to start....

I have to admit, I was expecting a fair bit of cheesiness, but I was resolved to watch The Vaudevillian politely. I figured there would be kids and slapstick and corny jokes and maybe I’d crack a smile or two. Well, smack me upside the head with a rubber chicken! This show was delightful and not at all like the 4 year old’s birthday party I’d hoped it wouldn’t be.

For those who aren’t in the know, Vaudeville is a form of variety...

Every 29 years or so Saturn travels around the sun and returns to the same place in the sky that it was at the moment of your birth. The first Saturn Return is said to make the transition from youth to adulthood. The second return brings maturity to our lives. The third return is the transition to the wisdom of the golden years.

Nine women enter the stage one at a time and each shares her personal tale of transition, change, challenge and growth at the...

Camel Camel is a superb hour of enthusiastic, hilarious, existential, shape shifting magic.

Janessa Johnsrude and Meghan Frank who form the dynamic duo "Glitter Gizzard" created the show in consultation with Mooky Cornish (Cirque du Soleil). It’s physical theatre meets vaudevillian sister acts. Which turns out to be a great combo.

I really can’t say enough good things about this show. It’s exactly the kind of the theatre I love to watch at the Fringe because it’s energized, fun, fully committed, creative and experimental. It’s the kind of thing you don’t get to see anywhere else.

Sam S Mullins’ solo performance Grandma’s Dead is fairly typical Fringe fare: a dramedy solo play where a single actor plays a variety of characters. Unfortunately, this particular example falls a bit short of the form’s potential. The concept is an interesting one. Sam gets a call from his brother Chad informing him that their Grandmother has died, and that they have to drive from Vancouver to middle-of-nowhere Saskatchewan so that someone from the family can see her burial. Presumably, as the two brothers make their way across the country, they will rediscover their lost relationship and get caught up...

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