intimate

The show is written and performed by Megan Phillips and directed by TJ Dawe. Megan Phillips is a performer from Vancouver, BC, Canada. The story is based on her Vipassana 10-day silent meditation experience. It is a one woman performance, a true story of change, personal growth, forgiveness and becoming “enough”.

Not Enough is a story of a young woman who’s reached a crisis point in her life and career, who needs change and growth. She tells the story of her transformation from a shallow, ill-focused individual who creates chaos around her, which is frustrating to friends, family, workmates and,...

Vancouver’s Kevin Kraussler and Ming Hudson wrote and perform the show. It alternates between two separate stories and time periods: the first recorded case of schizophrenia, James Matthews, hospitalized in London’s ‘Bedlam’ asylum in the late 18th century and a current story of a delusional woman and her daughter that was drawn from the real-life exposure of the cast.

The play opens with a male physician speaking to our audience as if we were a professional jury. He presents a patient suffering from delusions who has been hospitalized for many years. They are reviewing his mental status in order to...

Chelsey Stuyt is a comedian and performer from Vancouver, BC, Canada. The story is based on her personal experience.

Although Stuyt is well known as a comedian,The Secret is a great balanced combination of serious and funny! She tells stories inside of stories. Multilayered, emotional, sophisticated and excellent storytelling. The Secret weaves together psychology, mythology, personal exploration and a parent’s love, culminating in a heartbreaking, unexpected reveal you won’t soon forget.

Chelsey talks about human nature, the mistakes we make and what and how we learn from them. She elaborates on questions such as, “Why do we keep secrets?” and “Why do we...

I mistakenly thought that The Lion, The Bitch and The Wardrobe would be some kind of C.S. Lewis parody, but things are not what they seem at The Vancouver Fringe Festival. The lion in this story is not some omnipotent God-like figure, but Sharon Mahoney’s crippling anxiety. Mahoney shares her own battles with anxiety and panic attacks in her hilarious and deeply personal show The Lion, The Bitch and The Wardrobe. She honestly discusses the stigma around mental health and that no matter how creatively talented, no one is immune to mental illness.

I do not usually enjoy street...

Musings about being an actor before an audition for “cashier #2”, Vancouver-based film and television actor Morgan Brayton reflects on her adolescent ideas of being a successful actor and all her apparently “golden ticket” opportunities in Give It Up.

The show is filled with moments that make you laugh because they are true. Like the second-hand embarrassment you feel when Morgan shares with the audience how she has failed all her prepubescent dreams of having a spin off series, sharing the cover of Teen Beat with Scott Baio and being invited to late night talk shows.

Never...

It’s hard to find fault with Michelle(/Ryan) Lunicke’s performance in the autobiographical piece, "Ze": Queer as Fuck! Amidst the political minefield of gender and identity politics, Lunicke’s voice is nothing but pure, personal, and honest to the point of nakedness. Lunicke’s life as presented in "Ze" is a journey from sexual repression to sexual acceptance, from society into the self, and from clarity to confusion and back.

I first encountered the concepts underlying genderqueerness in the book Feminism is Queer by Mimi Marinucci, but it was a different thing to see them unfurl in the fabric of a...

In performance and in script, My Ocean is a gem of a show. Considered individually, each facet of Nadeem Phillip’s rendition of a bookish twelve-year-old glimmers brightly.

He can show you what it’s like to overflow with wide-eyed wonder at nature.

He can portray the impotent, naive rage of a young boy as he becomes aware of the horror and injustice in the world.

And he nails the raw physicality of a child doubled over in emotional pain.

It’s only as one is walking out, reflecting on what they’ve just experienced, that they begin to realize what a voyage it...

Nadeem Phillip

Better known from past shows as Birdmann, Trent Baumann is back this year as himself in a cloudy, sky-blue suit. It’s hard to see this as a departure from past performances—Birdmann’s distinctive style of carefully choreographed foppishness and anti-humour mixed with self-reflection and true physical virtuosity is very much preserved (along with a couple of his gags). The new performance builds on this underlying formula with a standout new segment (which I won’t give away) and an aesthetic direction that aims to be a deeper and more sombre reflection on life, the universe, and everything.

At one point, Baumann shows...

Trent Baumann

Jen Derbyshire, a unique, hilarious, talented monologist and certified insane person, tells a story based on her own experience in the world of mental health. She states that she has been certified as insane eight times! Jen turns the audience into a mental health review board to help determine her current state of sanity.

The audience gets thrown into topics that most people know very little about, fear a lot, and don’t like to talk about. Derbyshire’s delivery is passionate and brave. She shares her personal tragedy with dignity and an intelligent sense of humor: she can make you laugh...

Jennifer Derbyshire

I wish every Fringe venue were on Granville Island, even if it meant spaces like this. The fluorescent lights are terrible, though are apt for this double bill. The space needs theatre lighting or even just lamps. I hope Lind Hall, the Arts Umbrella dance hall, the Arts Club stage, the Improv Centre, and more are added again or utilized full time during the Fringe next year so that audience members can spend more time seeing shows and less time traveling across the city.

Faroe Islands + Ostrich take us on...

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