Stefan Smulovitz

The setting for The Passion of Joan of Arc, staged at Christ Church Cathedral on Burrard street, lent a aura of rarefied theatricality to this event.  The church's vaulted ceilings, echoing with the buzz of the audience, the polished wood floors and intricate lighting fixtures, the dramatic architecture of the nave itself, with its adjacent alcoves like wings to a stage – these conspired to create a sense of immanent revelation.  Where a black box theatre lets distractions disappear form view, the finely-crafted environment of a church makes the setting itself a player in the drama.

The Passion of Joan...
Maria Falconetti in The Passion of Joan of Arc, 1928