matt eger
Loving the Stranger or How to Recognize an Invert: less bite, more subtle
Director Alistair Newton and his company Ecce Homo have become Summerworks regulars, first bursting onto the scene with attention grabbing The Pastor Phelps Project, a delightful and scathing cabaret deconstruction of ultra-controversial (99% percent of people would say ultra-hateful) American religious leader Fred Phelps, and then a surprising if not unreasonable dissection of humanitarian icon Mother Teresa.
