Family

Whenever I go to a one man show I am always a bit worried. In my opinion the play and the act has to be exceptional in order for one man to keep your attention throughout. This was not a problem for Brent Hirose acting as Alex in Sea Wall.

Alex tells you the story of his life and love for his wife and daughter. He talks about love for his wife in such a romantic and beautiful way that leaves you admiring such a relationship. He describes his most profound feeling for their daughter, making you see what it means to be...

Do you have your dancing shoes on? You’re going to need them for this show. Cydney Eva and Lindy Sisson are a mother-daughter duo that is going to explain to you the influences of dance and showmanship that have been ever present in their lives. From Ballet to Burlesque, they’ve got it all.

This really is a tribute show to Cyndey and Linda’s father/grandfather, Hal Sisson, who was in “The Biz”. Although you could tell that this show meant a lot to them, it might not mean as much to the audience. A big chunk of the show is...

Grey with blackened edges. Mark Hughes’ life reads like a modern reboot mashup of Lost Weekend, Reefer Madness, The River’s Edge and Sleepers. Or maybe Breaking Bad with less horrific murder.

Tragedy + Time Served = Comedy was dramaturged by TJ Dawe, whom Hughes considers his mentor in getting this riveting monologue together. From the opening narration that describes the imperfect social construct that is the corrections and criminal justice system, to Hughes’ willingness to work with the reaction of his audience, this is an experience that few will forget or fail to be moved by.

It’s almost hard to...

Mark Hughes

Pig farmers are proud people. They have to be. Their families shoulder burdens both absurd and poignant. Bennett’s family history, in this second chapter of my experience with the walkabout bard, spinning his tales of family chaos to an intimate room in Granville Island’s Waterfront Theatre, nicely blends the traditional yarn-spinning of the Outback poets with multimedia, audience participation and familiarity. My Dad’s Deaths feels like the annual catch-up at a reunion, a chance to relive the stories of past reunions and expand on our knowledge of quirky families and how they got so quirky in the first place....

HUMANbeing is a sweet, poetic piece about a celestial being who decides to make the Earth its home.

Enchanting and great for kids, this simple story lacks pretension, weaving fart jokes, whimsy and wonder together into an innocent tapestry.

The opening images were the strongest. Live music in the dark and great use of practical lighting. I would have like to have seen even more of that creative atmosphere throughout the show.

Performers and co-creators Sarah Roa and Andrea Ashton's strength and full commitment carry the show. There were moments where Roa's heavy breathing and larger than life children's theatre voice felt a little pushed....

Forget About Tomorrow is a play in progress by "Advance Theatre: New Works by Women", directed by Pam Johnson and written by Jill Daum.

The humble little venue at the False Creek Community Centre was packed for this show. In line, I estimated a hundred of people ahead of me. I think I was among the last to get a seat.

False Creek Gym seems to attract meditations on neurology. Last year, it was the stage of Clutter and Contamination...

Arts Umbrella—a perfectly intimate stage for this beautiful and tragic monologue that I think everyone with a family will relate to. A single airplane seat is perched at the front of the room/theatre, where sits writer and performer, Dolores Drake. She has nervously buckled herself in, ready to set out on her first plane trip to visit her granddaughter in Toronto. It’s been five years. Drake’s character is playfully chatty with the type of spice that we love.

Her portrayal of a hardworking and well-intentioned maritime matriarch is spot on. You will...

"Spilling Family Secrets" was written, performed and produced by Susan Freedman in true Fringe style. It moved me to tears with its sincerity and love.

Susan Freedman is spilling her family secrets but in doing so she is giving us a glimpse into her parents life and their love affair through the letters they wrote to each other while apart during the depression of the 1920/30...

I have to admit, I was expecting a fair bit of cheesiness, but I was resolved to watch The Vaudevillian politely. I figured there would be kids and slapstick and corny jokes and maybe I’d crack a smile or two. Well, smack me upside the head with a rubber chicken! This show was delightful and not at all like the 4 year old’s birthday party I’d hoped it wouldn’t be.

For those who aren’t in the know, Vaudeville is a form of variety...

Sam S Mullins’ solo performance Grandma’s Dead is fairly typical Fringe fare: a dramedy solo play where a single actor plays a variety of characters. Unfortunately, this particular example falls a bit short of the form’s potential. The concept is an interesting one. Sam gets a call from his brother Chad informing him that their Grandmother has died, and that they have to drive from Vancouver to middle-of-nowhere Saskatchewan so that someone from the family can see her burial. Presumably, as the two brothers make their way across the country, they will rediscover their lost relationship and get caught up...