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By Laura Harris
Old Growth is a new thought provoking production composed and performed by Alex Eddington. It now features Allison Williams who replaces Aura Giles.
The play is set in 1997, when two musicians, Alex and Aura (Williams), go on a pilgrimage to the Queen Charlotte Islands. While there they visit the site of the fallen Golden Spruce Tree, which was cut down by a deranged logger named Grant Hadwin. Alex wants to become a shaman who can heal and bring the spirit of the tree to other parts of Canada. Adding levels of complexity to the piece, Alex effectively recites ‘envirologues’ which are musical and magical monologues to demonstrate the environmental and economic issues. Eddington does not make these speeches preachy, rather they are both artistic and informative. While the pilgrimage Alex and Aura experience might be fictitious, the logging event itself was documented in John Vallant’s non-fiction novel, The Golden Spruce.
Old Growth is an eloquent, intense piece of textual composition. As part of their ritual, there are moments when Alex and Allison chant making the piece lyrical and engaging. Eddington has a raw presence on stage. We see his character become overwhelmed by his mission for change to the point of self destruction. Meanwhile, Williams, who is also director and dramaturge, (and stepped into the role of Aura only a few days before opening) brings an intense warmth and humour, as well as courage. Eddington and Williams complement each other as performers. Drumming percussion instruments as well as recorded samples of Aura Gile’s flute playing are used as part of the ritual. I also appreciated the unique use of other, mostly wooden, musical instruments, such as the train whistle and wooden blocks.
Because of the strong sense of ownership to a destroyed natural treasure, this production should be seen by West Coasters. This is not an easy show to watch. It’s intellectual and intense but if you want something other than the normal fluffy confection – then see Old Growth. In fact, see it twice, because you will leave the first time wanting more.
Old Growth by Alex Eddington; produced by Acky-Made (Toronto/Ottawa, ON). Part of the 2008 Victoria Fringe Festival, Old Growth continues at the Intrepid Club (1609 Blanshard @ Fisgard) on Wed 27, 10:00 • Thu 28, 8:15 • Sat 30, 10:00 • Sun 31, 3:45. For more info shaman yourself here, man.
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"Old Growth" BLOG!
I have been blogging my experiences on the Fringe and travels across Canada this summer – including my trip to Haida Gwaii / the Queen Charlotte Islands to visit the famous Golden Spruce whose story inspired “Old Growth”.
I’m also (gradually) posting photos!
You can follow the blog here:
http://www.AlexEddington.com/blog/oldgrowthblog.html
more "Old Growth" reviews
If you’d like to read more of the reviews “Old Growth” has been receiving across the Canadian Fringe Festival circuit, please visit
http://www.AlexEddington.com/press.html
(press reviews are at the top…follow the link to audience reviews)
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Here are some highlights:
“The kind of shocking, sophisticated and thought-provoking play that makes Fringe theatre edgy… **** [FOUR STARS]“ – Victoria Times Colonist
“...poetic genius...” – Now Magazine“Part history lesson,
part magic show,
part cautionary tale,
part love story, all compelling… ****[ FOUR STARS]“ – Monday Magazine
“an eloquent, intense piece of textual composition…
[that] should be seen by West Coasters.” – Plank Magazine
“wonderfully fringey… **** [FOUR STARS]“ – Winnipeg Free Press
“...bold, well-performed and visually striking” – Joff Schmidt, CBC Manitoba
“lyrically written, morally ambitious and
exponentially more sophisticated and original than most fringe fare.” – Mary Agnes Walsh, Winnipeg Free Press
“see Old Growth.
In fact, see it twice…“ – Plank Magazine
“Aimed at changing our way of seeing the world… Quite amazing to watch…moving, and it seemed real…
be prepared to be carried away.” – Alvina Ruprecht, CBC Ottawa
“[a] very insightful script about humanity’s connection to nature…” – Paul Terrene, Winnipeg Sun
“Alex Eddington is a charismatic performer...” – Kaj Hasselriis, CBC Ottawa
“[Eddington’s] works offer a rare blend of
“a powerful performance“ – The Paladinian’s Retreat (online)artistic ambition and accomplishment,
while being both a deeply personal exploration and a
generous invitation to the audience to explore his world.” – Kevin Longfield, The Jenny Review
“...what is environmentalism? It’s not a political platform or a religion, but rather, it is us. This play asks us to stop consuming the world around us because we are in fact consuming ourselves.” – Destination: Journey (online)
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