And why shouldn’t he? Between the success of his last two shows here (Giant Invisible Robot, Boat Load), he’s quickly become a Fringe favourite. His latest work, Fall Fair, should continue that trend.
McDonald conjures up a wide array of characters, all of which intersect at various times throughout the piece. From the forlorn owner to a misunderstood carnival freak, McDonald’s talent - and range - is on display once again. Audiences who have frequented his other shows will even recognize some familiar faces, as they are seamlessly integrated into this tightly-knit (and fast-moving) performance, directed by Jeff Culbert (who can be seen in this year’s Archy and Mehitabel, which is directed by McDonald) .
Fall Fair is a bit more physical than Boat Load (I’ve not seen Robot, much to my chagrin), and it is most prevalent in a scene where he takes one of his characters on The Scrambler - with a result that is just as hilarious as it is anticipated. It’s not all laughs, though - and the poignant elements are both well-placed and subtle. I was drawn to the father-daughter outing in particular, as McDonald guided the emotional roller-coaster (pun entirely intended) of those sequences with great craftsmanship.
Much like the fair we’re admitted to in Fall Fair, this show won’t be around for long - and being in Wood Hall there is limited seating as well. It’s definitely worth the price of admission…and tickets for this one will most definitely go fast.